Tattooed Scanograms

Textured and layered Photo
When a Rose is Not a Rose Textured and layered Photo
Clematis on Cracks
Bricked Hydrangea Textured and layered Photo
Lily Textures Textured and layered Photo
Rocking PetuniasTextured and layered Photo
Glowing Dogwood Textured and layered Photo
Glory Rain Textured and layered Photo
Stoned Marigold Textured and layered Photo
Clematis and City Life Textured and layered Photo
Yellow Daylilly Textured and layered Photo
Blue Jay Feathers
When a Rose is Not a Rose
Clematis on Cracks
Bricked Hydrangea
Lily Textures
Rocking Petunias
Glowing Dogwood
Glory Rain
Stoned Marigold
Clematis and City Life
Yellow Daylilly
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Blue Jay Feathers
When a Rose is Not a Rose
Clematis on Cracks
Bricked Hydrangea
Lily Textures
Rocking Petunias
Glowing Dogwood
Glory Rain
Stoned Marigold
Clematis and City Life
Yellow Daylilly
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Shadow

Tattooed Scanograms are surreal, layered pictures that begin with cameraless images. Dreamily evocative these images are created by merging textural photographs with transparency scans of leaves, flowers, feathers, and other natural objects. In 2010 I began experimenting with creating these images digitally after some less than pleasing results from direct cyanotype prints using home-treated photosensitive paper. These experiments followed on the heels of lectures and discussions with Pittsburgh photographer Sue Abramson about her nature series that began with direct prints of elephant ears and other products of her garden on photosensitive paper. She was just beginning to take her project to another level with large flatbed scans at that time. My project was also indirectly inspired by Man Ray’s Rayographs and Max Ernst’s Histoire Naturelle frottage sketches. My brightly colored, unusually shaped images are original adaptations evocative of dreams, musings, or fleeting imaginings.

Ten Best Rayographs

Sue Abramson’s work

Max Ernst, Histoire Naturelle Series